It is clear that Thakt-e-Jamshid is Barbelo, the first thought that the Holy Father gets in his mind when He wanted to create worlds and civilizations.

It is a reflection of the idea that ends up in chaos, the material world, and it illuminates the darkness and it reveals a story, a tragedy, an abuse that Yalda both has committed against his own mother Epinoian Sophia, which is a cosmos between chaos and ’Ogdoad’ (the black hold)

where there is no kingdom.

Thakte- e- Jamshid tells the story of the cheeky Yalda baoth who in her ignorance sucks forces out of her mother like a lion eating a cow.

With the stolen powers from his mother, Yalda baoth creates thousands of universes in chaos some of which are perfect and they function as kingdoms but some of his creations are so deformed that where matter and the forces that hold life together work differently and this is shaped on the walls of the temple and over these walls and on its surrounding environments.

There are also stories of chaotic teeth

rescuing Epinoian Sophia from Yalda baoth violence. They put her between chaos and Ogdoad in agreement with the world above so that there will be balance in different lives.

The perfect worlds that Yalda baoth creates in the material world are represented in Thakt- e Jamshid as perfect little figures over the walls of the building. The worlds where material behaves differently are performed by malformed figures over the walls.

The people who are on the walls with their gifts, stand for civilizations that exist in the universes that Yalda baoth has created in chaos and the soldiers in front of the stairwells, tell us that many of these worlds are kingdoms.