These were the names and pictures of the rulers who work for Yaldabaoth and who appear in the ruins of Thakt-e-Jamshid and who Iranians believe are their kings even though they have fictitious Greek names !!!

So, now all the fictional Persian kings with Greek names went up in smoke which is good.
Now all Iranian racists and fascists should start mourning and coming up with something better so that they could oppress all Iranians who are not like them with lies about a temple that conforms to the Qur’an and with our Islamic culture and that actually talks about creation instead of kings and queens of our earth.

But for knowledge, there are Iranian Sumerian kings and one of them is called En Shogir Anna = از اسمان به زمین امده شبگیر = کامران
He probably built Thakt e Jamshid.
You can find him if you search for Lord of Aratta on the Internet.

It is clear that Thakt-e-Jamshid is Barbelo, the first thought that the Holy Father gets in his mind when He wanted to create worlds and civilizations.

It is a reflection of the idea that ends up in chaos, the material world, and it illuminates the darkness and it reveals a story, a tragedy, an abuse that Yalda both has committed against his own mother Epinoian Sophia, which is a cosmos between chaos and ’Ogdoad’ (the black hold)

where there is no kingdom.

Thakte- e- Jamshid tells the story of the cheeky Yalda baoth who in her ignorance sucks forces out of her mother like a lion eating a cow.

With the stolen powers from his mother, Yalda baoth creates thousands of universes in chaos some of which are perfect and they function as kingdoms but some of his creations are so deformed that where matter and the forces that hold life together work differently and this is shaped on the walls of the temple and over these walls and on its surrounding environments.

There are also stories of chaotic teeth

rescuing Epinoian Sophia from Yalda baoth violence. They put her between chaos and Ogdoad in agreement with the world above so that there will be balance in different lives.

The perfect worlds that Yalda baoth creates in the material world are represented in Thakt- e Jamshid as perfect little figures over the walls of the building. The worlds where material behaves differently are performed by malformed figures over the walls.

The people who are on the walls with their gifts, stand for civilizations that exist in the universes that Yalda baoth has created in chaos and the soldiers in front of the stairwells, tell us that many of these worlds are kingdoms.

I write in Swedish because I hate censorship in my original homeland, Iran.

It is very difficult for me to write in peach what I want to write and then print it in my original country.

In Sweden, the language is difficult. However, it is easy to work with people especially if you have something that can be published.

It is behind the fact that I have chosen the Swedish language. It gives me freedom and hope that it will pay off at some point if I persevere and continue to fight.

In any case, Swedish will be my main language when it comes to my posts on Facebook. English should work as my second language and I will answer in Persian if any Iranian asks me questions in Persian.

I do this because I do not write only for Iranians. I do it for the whole world when it comes to my views, my ideas and my perceptions of Nag Hammadi’s library.

A few weeks I will work on Nag Hammadi’s lyrics in the future, now that Covid 19 is ravaging the world and there is a great risk that the old man will become a strawberry, especially when working with sick people to be able to support himself.

I promise that I will offer something strong and intoxicating that makes one relax and forget everything else in everyday life for a while, which is quite useful for the body and for the soul in these days as Christmas is getting closer and you get happy. to see Christmas-decorated streets and their lights when driving a car and working in the evenings.

I do this so that knowledge is not lost if something happens to me and I start with the Iranians’ Thakt-e-Jamskid or, Barbelo, The Temple of First Thought.

* It is strictly forbidden to make money on Nag Hammadi’s books or sell their texts for food and drink. There is a curse on such at the end of the Apocrypha of John.

Lately, I have agreed to some friend requests. I read my friends’ posts on Facebook.

I get the feeling that everyone wanted to save the world and now I feel that I have fallen behind because I have used Facebook just because I wanted to follow some good Swedish groups who talk to each other about shares and the market on Facebook.

That way, I wanted to be up to date on companies that I could invest a few bucks in so that it would help my poor pension.

Now I have to run after and catch up with you others and help, so that our world is preserved, the wars that are going on now are stopped and the Arabs stop their sword dances and the Iranians and the Israelis fall in love with each other and have children together and the Chinese and Americans make peace, so that we swedesh, earn money in peace and quiet.

Well, how do I succeed in this?

By talking about what I can. I am good at ancient temples and ruins and some ancient texts from the Nag Hammadi library, found in Egypt by a woman in pots. I have read the texts ten and again dozens of times in the last ten years.

I came in contact with them on the web thanks to a Swedish man named Gordon Sandgren. He had translated some books from Nag Hammadi’s collection and he had published them on the internet and he called them The Swedish Gnostic Library.

I read the entire content on the man’s website and one day I made a discovery that made me tremble for a whole week and feel weird because it was like I woke up in a world described in the Matrix movies.

It happened when I read the book about Enoch and at the same time I looked at pictures of the temple in Iran, Takht-e-Jamshid, the temple of the first thought, which in its entirety describes a reflection of the Holy Father’s thought that ends up in chaos and then light and darkness meets each other and immediately forces emerge that hold the material world together and it appears in the temple as a pillar over a building that disguises chaos.

I wanted to know about what Enoch said, was in line with Iran’s cultural heritage, and I was immediately confirmed. Then I searched for the temple at Angkor Wat (Temple of Origin or the Sumerian Blackhold) in Cambodia. Same thing there too. The situation was also the same with the female genitalia in Rome called the Colosseum, which disguises our universe when it is dead and shows the calamity before the Day of Judgment when the universe goes under and the rulers receive their punishments.

Then it was clear that all the temples and ruins in the world were built to the letter according to what Nag Hammadi texts said, but I had nothing to do with it.

I wanted ideas and inspiration so that I could write a couple of good fantasy books and make money from them and here I had found what I was looking for. I had in mind that I was getting very rich.

So I put together a fantasy story. I sent it to a lecturer at Författarcentrum. He read it and said it could be good if I put more time into it.

I sent the script to Ord & visors bokförlag as its owner has helped me with a couple of my own books. From there I got an answer.

Ord & visors did not like my script because I, who came from Iran, had a responsibility to my original country and the people there. The book publisher wanted me to devote my time to what I had left behind because it was worth something.

Then I put the script aside for good and then I revealed to Gordon Sandgren what Nag Hammadi’s books were really about. I did this by illustrating a few pages of his own texts with pictures from several of the world’s temples that I picked up on the internet and that I sent to him and I got his response after only five minutes by my phone.

He gave me permission to do what I wanted with the lyrics only if I did not change the lyrics. Then he removed his website from the internet and he just disappeared while I continued working by visiting Angkor Wat and seeing with my own eyes that what Nag Hammadi’s books told about that place was in front of me in the form of buildings and statues and carvings.

I took pictures of the temples and when I returned to Sweden, I sent one of my sons to Takht-e-Jamshid. He took pictures for me and this material came in handy when the Islamic State began destroying the cultural heritage of humanity and Muslims in Iraq.

Then I talked to a man from Syria who worked with me. I showed him the John Apocrypha from Nag Hammadi’s collection that I had illustrated its texts with pictures from the temples and I asked him to compare the texts and pictures in the place that the book talked about our Creator and I asked him to compare it with verses from the Qur’an that were about the same thing and as the Muslims shouted in their daily and nightly prayers.

Then Tramp stepped on the political world stage and then I got in my head to save the world from his violence by threatening him with Nag Hammadi’s books and with both in Swedish and in English and I let texts and pictures from the temples tell together in Swedish and in English.